How to Play Video in the Adobe Premiere Pro Source and Program Monitors

It is easy to play video clips in the Source and Program Monitors for Adobe Premier Pro. They contain several controls that resemble the playback controls on a DVD or video deck. When editing your projects, use the Source Monitor controls to play or cue a clip and the Program Monitor to view the sequence you are editing. Additionally, each control has a keyboard shortcut you can use.

  1. Step 1

    To play video, make sure the monitor you want to use is active. Then, click the “Play” button, press “L” or the spacebar on your keyboard. To stop playing, click the “Stop” button, press “K” or the spacebar on your keyboard. To play video in reverse, press “J.”

  2. Step 2

    You can play an entire clip or sequence repeatedly by clicking the “Loop” button and then clicking the “Play” button. Click “Loop” again to deselect it when you are done, or your clips will continue to loop.

  3. Step 3

    You can play in fast forward by pressing the “L” key repeatedly, and to play in reverse faster, press the “J” key repeatedly.

  4. Step 4

    To play in slow forward, hold down the “K” key while pressing the “L” key, or press Shift plus the “L” key repeatedly. To play in slow reverse, hold down the “K” key while pressing the “J” key, or press Shift plus the “J” key repeatedly.

How to Record in Premiere Pro Using a TV Tuner

Adobe Premiere is a powerful video editing tool used by professional and hobbyist video editors. With the right video encoding equipment, you can import your video directly into Premiere to edit, add effects and complete your production. Not all TV tuners that encode video will work with Adobe Premiere. Use the following steps to begin encoding video with Adobe Premiere using an OHCI-compatible TV tuner video encoder device.

  1. Step 1

    Check your TV tuner for device compatibility with Adobe Premiere. Any TV tuner that includes an OHCI compliant IEEE 1394 (Firewire) input is fully compatible with all Adobe Premiere Pro versions. If your TV tuner does not feature a Firewire input, then you cannot record video directly in Adobe Premiere.

  2. Step 2

    Plug your DV camcorder into the TV tuner’s Firewire input.

  3. Step 3

    Open Adobe Premiere and select “File” and “Capture” from the main menu.

  4. Step 4

    Select the “Settings” tab from the Capture dialogue box.

  5. Step 5

    Confirm the Capture format in your capture settings. Select either DV or HDV–depending on your camera type.

  6. Step 6

    Click on the “Browse” button in the Capture Locations section to designate the location where you want the encoded digital video files stored.

  7. Step 7

    Confirm the type of device you are using as your digital video source. The default “DV/HDV Device Control” will work in most cases. If you are having trouble controlling your device through your TV tuner’s Firewire port, click the “Options” button and locate the specific model of your camcorder or DV video device.

  8. Step 8

    Select the “Logging” tab from the Capture dialogue box. Confirm your capture device is online by viewing the status above the video monitor window in the dialogue box. If the device is recognized, it will say “Device Stopped.” You are now ready to record. Use the device controls beneath the video monitor window and press play on your camcorder or DV device, then press the record icon to begin recording the video in Adobe Premiere.

  9. Step 9

    Use the batch capture feature to log in and out points for your selected video clips, if you prefer to create a list of clips to record later. Click on the “Set In” and “Set Out” buttons to designate the beginning and ending points for video clips. Click on the “Log Clip” to add the clip placeholder in the Project tab. When finished, select the clips you want recorded from the Project tab. Press the right button of your mouse and select “Batch Capture” from the menu to record the logged clips.

How to Convert All Frames From Premiere to Photoshop

Adobe Photoshop provides powerful image enhancement and restoration tools that can assist in the improvement of film or video sources. Other special effects, such as rotoscoping, also require the ability to manipulate individual frames of a digital video file. In order to leverage the tools and filters found in Photoshop and apply them to individual video frames, you need to know how to export a video file from Adobe Premiere CS4 to a file format Adobe Photoshop can work with.

  1. Step 1

    Open Adobe Premiere. Select the file you wish to export as individual frames. Select “File,” “Export” and “Media” from the menu or press the “Ctrl” and “M” keys on your keyboard.

  2. Step 2

    From the “Export Settings” dialog box, click on the “Format” pull-down menu and select “TIFF.” From the “Preset” pull-down menu, select the format that matches the source video file.

  3. Step 3

    Select the destination folder where you want all individual video frame TIFF files to be stored by clicking on the file path next to “Output Name.”

  4. Step 4

    Check the “Export as Sequence” box. Then click the “OK” button. Adobe Premiere Pro CS4 will now launch the Adobe Media Encoder.

  5. Step 5

    Click the “Start Queue” button from the “Adobe Media Encoder” dialog box. A progress bar will display the estimated time required to complete the export.

  6. Step 6

    Open the folder that contains the exported TIFF files. Note that there is an individual TIFF file created for every frame of video. These files include the original video file name plus a unique, three-digit frame number.

  7. Step 7

    Open the TIFF files in Photoshop by selecting all of the files from the folder containing the TIFF sequence, then clicking the right button on your mouse and selecting “Open” from the menu. Each TIFF file will open in Photoshop. You can now work with each file that represents the corresponding video frame. Add effects or image adjustments as desired to each file. When finished, import the TIFF sequence back into Adobe Premiere.

How to import/edit AVCHD M2TS videos in Premiere Pro

AVCHD to Adobe Premiere Pro Converter for Mac is a brilliant application for Premiere Pro fans to import and edit M2TS video in Premiere Pro MOV, MP4, MPEG, AVI, WAV, MP3, M4A on Mac.

  1. Quote: I have an issue importing AVCHD footage in Premiere Pro CS3 on My Mac. I have tried many ways, but some of them did not work and others output bad effects. Is there an easy solution with no quality loss? Luckily enough, there is a right converter-Mac AVCHD to Adobe Premiere Pro Converter can solve the problem with several simple steps.

    Tip: Adobe Premiere Pro version CS4 or later can support AVCHD video excluded the trial version. And Elemental Accelerator is a third party plug-in for Adobe Premiere Pro CS4 that converts AVCHD to various H.264 or MPEG-2 formats.

    Under the help of the Converter, you can convert AVCHD M2TS to Adobe Premiere Pro supported formats, then import the output video and edit it in Premiere Pro with ease, no matter which Adobe Premiere Pro version you possess (but the version should be workable on Mac OS). Furthermore, it can also support you to import AVCHD to FCP or FCE and M2TS to iMovie.

  2. Step 1: Load files
    Press “Add File” to import .m2ts video to the program.

    Step 2: Set the output format and its destination
    Select the output format in the drop-down list of “Profile”, such as MPEG-4 AVC(*.mp4). Specify its destination when click the “Browse” button.

    The below tutorial makes you know how to import AVCHD M2TS videos in Adobe Premiere Pro on Mac.

  3. Step 3: ConvertPress “Convert” to start converting M2TS to target format.

    After successfully convert AVCHD to Premiere Pro supporting formats, you can import the video to Adobe Premiere.

    Step 4: Import the output videos to Adobe Premiere Pro
    You can also import files and folders by dragging them from “Finder” into the Project panel.

How to Create a Four-Way Shot in Adobe Premiere Pro

Adobe Premiere is an amazing editing program for Windows and Macintosh. It has many capabilities for users and allows them to edit videos that other programs like Windows Movie Marker cannot offer. One of the coolest things to create is the four way shot, consisting of four different videos appearing on the screen at the same time. This can be used for home movies, music videos, or other things.

  1. Step 1

    Open Adobe Premiere Pro: Open the program and start a new file. You can call this Four_Way, or any title that you choose.

  2. Step 2

    Importing Footage: Once your project is open, it is time to set up what files you want to use. It does not need to be all videos, if you want to do a cool photo slide show, you can use all photos, or mix up photos and videos.

  3. Step 3

    Memory: Because Adobe Premiere Pro uses real time editing, make sure that you have enough memory to complete the tasks. And save often. You do not want to lose your project and have to start all over from the beginning.

  4. Step 4

    Drag the first video down into the “Video 1″ track. In the preview screen you should see the video as a full screen shot.

  5. Step 5

    Click the effects tab that is to the right of the of the footage tab on the left of the screen. Open the folder that says Video Effects and then go to Distort> Transform.

  6. Step 6

    Click and hold the transform effect and drag it over the video clip. Now, next to the preview screen of the video, there should be a list of effects that includes motion, volume, and now transform.

  7. Step 7

    Click on the arrow that says Transform and there will be a lot of different options. On Scale Height, adjust the scale to 25%. The picture will now look distorted. To fix this, adjust the Scale Width to 25% also. Now you should see a normal picture, just in a smaller size.

  8. Step 8

    Using the position, toggle the location of the scene to one of the four corners. This can be done by adjusting the points and clicking and dragging.

  9. Step 9

    Now that the first video is in place, repeat these steps with the other three videos until you have all four in place. When dragging the videos down, put them in the track above the last video you worked on. The only thing you would do different is the position, selecting different corners for each position.